A Few New Monologues.

So I’ve been writing a lot of performance stuff recently, and a few friends have asked me to write them up monologues for various occaisions and auditions. Also, my boyfriend just broke up with me, so please ignore some of the sappy emo-ness of some of them. It happens.


Monologue 1:

Okay, so, listen. I know what you’re thinking, and you’re right. Three of these and your collection is complete. But what if I told you that right now, I am willing to throw in a vintage 1987 yankee? And not just any Yankee, either. I’m talking a vintage, never before touched by human flesh Willie Randolph. The most acclaimed infielder of the ’87 season. Batting average .305, salary, $900.000  big ones. And all of this can be yours if you just ask my sister to the dance. Look, I know she’s not that smart. Or pretty, but she really wants to go. Last year she was sick and the year before that she had a broken arm and so this is her last chance at getting to go to the Starry Enchantment Under the New York Pyramids Dance. I’m on the committee, Mrs. Flynn said there wasn’t a budget for new decorations since the gym needs repairs and so we just pulled from storage but anyway, listen, Ricky. You’ve known me for a long time, I’m an honest guy. I’m fair. What if I threw in a 1980 Bobby Sprowl? Best pitcher the Astros ever had. Three seasons, not one error. Mint condition, Ricky. Mint. And I will include, in this once in a life time deal, this bag of Twizzlers. Cherry, Ricky. Cherry. Just please. Ask my sister to the dance or Mom says I’m grounded.

Monologue 2:

So there you are. And there he is. And then, suddenly, he’s not. And you’re sitting there and you’re thinking “what the fuck” because that’s all you can think and meanwhile everything around you is moving at the speed of light and you’re stuck in slow motion trying desperately to catch up, but you know that everything is going to be different by the time you get there. That’s what it’s like. Or something like it, I suppose. It’s different maybe, for others. A new series of factors: how long, how much, how little, that sort of thing. But in the end, you’re left with just you and this world that keeps on spinning no matter how desperately you wish it would stop for just one moment, just to let you catch your breath and figure out what the hell happened, where it went wrong, catch everything before it falls apart. But that’s not how the world works. No matter what we do, it just keeps moving. So we have to keep up. You have to keep up.


Monologue 3:

My neck hurts in the evenings and it is then that I miss you most. Not you–I stopped missing you before you were gone. Somewhere between your immeasurable sadness and my desperate need and inability to fix you, I ceased in caring because I couldn’t care enough. I couldn’t love you enough to fix you, so I forced myself to let go, because I knew in the end, it was coming. Which, I suppose, is what led to the end. So I have resolved not to miss you. But I miss your touch. Your arms, the sweat of your forehead–I miss you. Not you. Your person. The bits and pieces that I can recall when I shut my eyes. Your breath on my neck, me holding on desperately and knowing I’d have to let you go eventually. There was such beauty in those moments. Hope. A hope that maybe things would work out, that the fates would collide and the stars would allign and suddenly, you would be okay. You would be okay. Things might work for me, just this once. I knew they wouldn’t from the beginning. But still I hoped. I wanted it to. I think I needed it to. So I don’t miss you. I miss what we could have had.

Monologue 4:

There is this moment, just before the dawn, when the stars shine down and watch as the world vibrates its way to a new morning. There’s always been something about that moment. The way the whole world seems to stop and the stars hold their breath, waiting for that great rebirth. This sudden perfect stillness that gives way from velvet black  into the magnificent golden dawn. It’s as if we’re given a chance, another turn–as though nothing bad could happen because all of the energies of the universe are focused on creating the new day. Anyway, after he–after– I realized that that stillness is just the stars holding their breath,hoping that just for one night no such–abominations will occur under their timeless watch. Unfortuanately for those celestial beings, the men of earth strike at night. They use that perfect stillness to muffle screams and silence cries, and they use that beautiful velvet blackness to sneak away unseen night after night after night. It’s then that the dawn comes, but I know better.  And that, Daniel, that is why I write. To make sense of such beauty in an ugly, ugly world.

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